Top 20 British Music Influencers on Instagram (Oct 2026)

We found 319 music Influencers in United Kingdom
These influencers mention 'music' in their Instagram bio and have audiences primarily in United Kingdom. Here are the top 20. To run a custom search, check out Modash's influencer discovery features (free to try).
10/19/2026
profile picture

1. Bob Vylan

United Kingdom

All live dates, music and merch in the link below❤️ 1/2 of Bob Vylan with @bobbievylan

profile picture

2. kidwild12

United Kingdom

East London, United Kingdom.

Followers
244.8k
Fake followers
24.07%
Engagement rate
11.98%
Average Reel plays
330.6k
Audience gender
female
31.94%
male
68.06%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
72.78%
United States
6.29%
France
2.88%
Spain
1.66%
The Netherlands
1.04%
profile picture

3. Abigail Liddle

United Kingdom

19 singer tiktok- aabigailliddle music mgmt- lucy@liddlemgmt.com 🎶 brand mgmt- abigail@aspiremgment.co.uk✨

Followers
243k
Fake followers
15.98%
Engagement rate
2.46%
Average Reel plays
79.7k
Audience gender
female
70.58%
male
29.42%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
78.45%
Spain
4.97%
United States
3.77%
Greece
1.2%
The Netherlands
0.8%
profile picture

4. Nieve Petruzziello

United Kingdom

stuntpegg@doubletapcontent.com neither use nor ornament

Followers
188.4k
Fake followers
23.81%
Engagement rate
8.7%
Average Reel plays
253.2k
Audience gender
female
6.6%
male
93.4%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
60.85%
United States
9.59%
India
3.46%
Australia
2.7%
Ireland
1.79%
profile picture

6. HUMZ

United Kingdom

I make music, love footy, dress decent & dream big TikTok: 250k Music: humz@v29music.com Brands: ash@blueprintx.co.uk

profile picture

7. Robert Macfarlane

United Kingdom

Books: Is A River Alive? Underland, The Lost Words, The Old Ways etc Music: Lost In The Cedar Wood, Spell Songs Films: Mountain, River Prof, Cambridge

Followers
110.3k
Fake followers
13.27%
Engagement rate
5.05%
Average Reel plays
41.2k
Audience gender
female
68.98%
male
31.02%
Top performing Reels
  1. 16k
  2. “When the Dark comes rising, six shall turn it back...” Today is 20 December—the eve of the Winter Solstice in the northern hemisphere & also the day on which Susan Cooper’s deeply eerie classic novel The Dark Is Rising (1972) opens. Will Stanton, the seventh son of a seventh son, is about to turn 11, but in the countryside around his home near the upper River Thames, something is very wrong. Snow threatens but will not fall. Rooks whirl above the trees. And the Walker is abroad... TDIR has been a huge book for me, as for millions of other writers & readers around the world. The first image here is the Puffin edition I had as a child: Michael Heslop’s chillingly uncanny image of Herne seen through psychedelic cross-hairs on a snowy field scared the daylights out of me then (& still does). Three years ago, the brilliant Simon McBurney & I adapted TDIR into a 12-part audio-drama for @bbcworldservice with @complicitetheatre. It took us a year to make & was a joy. Toby Jones, Harriet Walter, Paul Rhys & Simon himself starred, @tmebell creative-produced & Gareth Fry created an exceptionally immersive binaural soundscape. @johnnyflynnmusic, @landshapesluisa, @heloisesioleh & I wrote the original music, which includes Johnny’s haunting earworm of a main theme (that in my house still has us chanting “The toast, the toast is burning...” or “The door, the door is open...” etc). You can listen to our adaptation via @bbcsounds. If you listen to an episode a day starting today, then you’ll follow the novel’s own real time as it unfolds over the Solstice, Christmas and New Year. Link in my Linktree. Susan’s become a dear friend these past years. You can see us together here amid the wandering limbs of the Emmanuel Plane Tree. She’s just as you would imagine: calm, wise, kind, witty, powerful. Truly an Old One. Happy Solstice to you all, friends. It’s the turn of the year’s tide. Here’s to the Solar year to come & the rise of the light.
    13.9k
  3. Yesterday I found this jay’s wing feather, face-down in a little drawer inside a dusty old wooden chest in the attic. The feather was grey behind, but when I turned it over it was pin-bright, electric-bright: still zinging with that extraordinary blue—which I place in a colour-family along with glacial ice of a certain age, and Cherenkov radiation, which glows in underwater nuclear reactors when charged electrons move through the water at a speed greater than the phase velocity of actual light: the visual equivalent of a sonic boom. The chest belonged to my father, a physician: it had held at different times drugs (an old label for adrenaline was still stuck to the frame) and an apothecary’s set of powders for the prick-testing of allergies. Aged 10, I inherited it and began to use it to collect feathers I found. One of those was the jay feather. I have no memory of finding it, but the surprise of re-finding it some 35 years later will stay with me a long time. I wondered at its brightness—then recalled that jay-wing blue is structural, not pigmentary: an optical illusion of a sort. In fact, the feather’s pigment is actually brown—but we perceive it as blue because the nanostructure of each barb comprises light-scattering pocket-holes which absorb all but the ice-blue wavelength. This is, in theory, an ever-colour: as long as the feather is undamaged, the sun emits light and human eyes are there to see it, the feather will glow. Thus its undimmed iridescence across three decades of my life. Might we think of memories themselves in similar ways? Some memories are colourful at the time of their stamping, but fade to grey ghosts or wink out altogether over time. But others, perhaps, are fundamentally structural in their making; they are created of and in arrangements of space, and as such they are resilient to time’s dilapidations. I know that I can still remember not only each room of the house in which I lived as a child when I collected those feathers, but also each carpet pattern, painting, and door-handle with its ember of light. These curious, iridescent ever-memories are the ones we carry to the end, and perhaps beyond it.
    13.7k
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
51.38%
United States
20.48%
Australia
3.46%
Canada
3.08%
India
2.69%
profile picture

8. Thelo 🇳🇴

United Kingdom

@rangersfc | @caastellar . Link to my music below ⬇️

Followers
101.6k
Fake followers
21.64%
Engagement rate
16.43%
Average Reel plays
44.2k
Audience gender
female
35.32%
male
64.68%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
68.35%
Norway
6.4%
United States
4.38%
Spain
4.38%
France
3.7%
profile picture

9. JBEE

United Kingdom
Followers
101.6k
Fake followers
19.81%
Engagement rate
4.61%
Average Reel plays
35.8k
Audience gender
female
19.24%
male
80.76%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
53.21%
United States
6.24%
France
4.61%
Germany
3.88%
Italy
3.57%
profile picture

10. GRAY

United Kingdom

Antisocial Sound Bristol 2026 ⬇️🔊

Followers
73.7k
Fake followers
12.27%
Engagement rate
3.64%
Average Reel plays
25.8k
Audience gender
female
24.88%
male
75.12%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
75.31%
New Zealand
4.68%
United States
3.61%
Spain
3.02%
Germany
1.23%

Search & filter 350M+ influencers

Find creators with the perfect audience for your brand using Modash's discovery tools. Try for free, with no credit card required.

profile picture

11. BrokenPen

United Kingdom

YHWH Mobo Unsung class 2025 Semi-Finalist on The Voice UK 2021 📧BOOKINGS:managementbrokenpen@gmail.com ⬇️MUSIC⬇️

profile picture

12. Children of Zeus

United Kingdom

@konnykon & @tylerdaleyuk Soulfood⚡️✊🏾 Bookings: danny@earth-agency.com Click the link for our music, merch and radio show

Followers
61k
Fake followers
16.92%
Engagement rate
3.58%
Average Reel plays
19.6k
Audience gender
female
39.06%
male
60.94%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
53.96%
United States
13.56%
Australia
4.09%
France
2.22%
South Africa
2.16%
profile picture

13. Kerr Mercer

United Kingdom

Debut EP ‘In the hours after’ out NOWWWW

Followers
58.2k
Fake followers
20.49%
Engagement rate
5.45%
Average Reel plays
46.2k
Audience gender
female
77.31%
male
22.69%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
65.4%
United States
7.16%
Indonesia
5.79%
Spain
3.22%
Malaysia
1.76%
profile picture

14. KiD RAiN

United Kingdom

you’re happy…. i hate it. out now ❤️⬇️

Followers
54.9k
Fake followers
22.37%
Engagement rate
12.55%
Average Reel plays
14.2k
Audience gender
female
86.11%
male
13.89%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
71.49%
Brazil
6.2%
United States
4.44%
Ireland
3.35%
Spain
2.34%
profile picture

16. Lou

United Kingdom

37kg natural weight loss through lifestyle transformation music • outdoor life • fashion beginner runner • sober and soft 💌 hello@loutwopointzero.com

profile picture

17. Delilah

United Kingdom

UK & Europe - delilah@wmeagency.com US & Global - delilah@caa.com Other enquiries - hello@delilahsaxena.com

Followers
48.8k
Fake followers
15.2%
Engagement rate
2.71%
Average Reel plays
54.5k
Audience gender
female
34.23%
male
65.77%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
81.98%
United States
3.33%
Spain
2.71%
Australia
2.09%
France
0.85%
profile picture

19. Kitty Hall 🐾🎧

United Kingdom

I make music :) Mgmt: gabe@ctrlfrk.co.uk Bookings: Harrison@activetalentagency.com Music to: kittyhmusic@gmail.com

Followers
46.9k
Fake followers
21.35%
Engagement rate
12.97%
Average Reel plays
28.4k
Audience gender
female
58.96%
male
41.04%
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
77.39%
Spain
5.09%
United States
4.68%
Italy
1.43%
Turkey
1.22%
profile picture

20. Gruff Rhys

United Kingdom

Sadness Sets Me Free LP out today 👀 Albwm newydd allan heddiw 👀

Followers
37.1k
Fake followers
13.83%
Engagement rate
60.14%
Average Reel plays
33.1k
Audience gender
female
36.74%
male
63.26%
Top performing Reels
  1. 129k
  2. 3.4k
  3. Dear Instagram How are you? Me? I’m okay thanks The day before the day before yesterday, or maybe the day before that I announced a new song & Double LP (the soundtrack to the Celyn Jones & Tom Stern film, The Almond & The Seahorse that stars @celyn_jones alongside @rebelwilson @charlottegainsbourg @trinedyrholmofficial @meera.syal - written by @kaiteoreillyo ) But I really feel I need to announce it some more I’m sure you feel the same - and that announcement is your middle name. There’s plenty of time to talk about the album - apologies in advance - as it’s not out till Feb (via @roughtraderecords ) But the film screens in cinemas in the US from last Friday 12/16/22 (details @ifcfilms or @madasbirdsfilms) In any case that’s all well & good but I’m mostly writing to you today as I just wanted to thank the musicians who played on the song Amen that was released on Thursday as I didn’t properly do that then - This recording appears courtesy of - @osiangwynedd on piano @kliphscurlock on drums & mastering, Stephen Black @sweetbaboomusic on bass & Drew Morgan @morgannoise on Cello - it was recorded & mixed by @alichant except some of the intro which I recorded with Kris Jenkins @doufus - but it’s otherwise based around a live studio take, You can watch a video for Amen shot by renegade cinematographer @ryan_eddleston_dop (who also took these photos during the video shoot) Outlaw film tycoon @dylgoch edited the video - link in bio - thanks both Also wanted to thank Akiko Stehrenberger @doyrivative for for the incredible film poster and sleeve illustration (pictured above) - see a book of her film posters at @hatandbeardpress if there’s any left Hope you’re somewhere warm and please honk your horns in support of the strikers G Ruff Annwyl Insta - crynodeb hollbwysig - cyfeiriad at gyhoeddiad blaenorol dradwy a geiriau o ddiolch uchod. Record ar y ffordd mis Chwefror - cân newydd allan rwan! Dolen uchod i bopeth gobeithio! Mwy o wybodaeth toc. Codiad ac amodau teg i’r streicwyr! Rhyddid o ormes a hir oes - Grief
    2.5k
Engagement rate benchmark
  • Median
Audience location by country
United Kingdom
69.18%
United States
10.61%
Ireland
2.37%
Spain
1.69%
France
1.56%

Frequently asked questions

End-to-end influencer marketing platform for Shopify

14-day free trial • No credit card required